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Hello Boys...I'm Back, Hörbuch, Digital, 1, 44m...
9,95 € *
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Julia Scotti's new brand of comedy is honest, hilarious, fearless, and fierce. Drawn to comedy from the time she was a child - "almost like a religious calling" - she holds nothing back. She has been described as a "force of nature," "a cross between Sam Kinison and Mrs. Doubtfire," like a "chainsaw flying through the room." A speaker, author, and nationally headlining comedian, who happens to be transgender, Julia got her start as Rick Scotti successfully touring both the United States and Canada as an opening act for artists such as Chicago, Lou Rawls, and Frankie Valli and The Four Seasons. Rick Scotti enjoyed success until leaving comedy in 2000. During that hiatus Julia began her life changing transition, and settled into her new career as a teacher. In 2011, after a 10 year break from comedy, Julia returned to the stage. In 2013, she was named one of the Top Five Transgender Comedians in the country by Advocate Magazine. In 2016, at the ripe age of 63, she hit her stride on season 11 of America's Got Talent on NBC, where she earned a standing ovation from the studio audience with her honest, fearless delivery, instantly winning the hearts of viewers everywhere, and joking her way into the quarter finals. Judge Howie Mandel said "You have so much to offer; you are a joy," and a pleasantly surprised Simon Cowell exclaimed, "You genuinely made me laugh." Julia became the first transgendered woman to enter and progress to finalist in the New York Based Ladies of Laughter Competition. She has also performed at the Boston Comedy Festival, and was one of the winners of Laughlin Laugh Festival in Nevada in 2014. Appealing to fans of every generation, Julia says, "Young kids laugh at me because I'm like a crazy grandmother. Middle age people say I remind them of their grandmother and my age people say it's so true what I say." With her storytelling and rapid fire style of comedy, Julia Scotti delivers a masterful performance in i 1. Language: English. Narrator: Julia Scotti. Audio sample: http://samples.audible.de/pf/roar/000193/pf_roar_000193_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 14.07.2020
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Blackout Gag
34,00 € *
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. A blackout gag is a term mainly used in broad, rapid-fire, slapstick comedy to describe a manner in which a gag or joke is executed. The term is derived from burlesque and vaudeville, when the lights were quickly turned off after the punchline of a joke to accentuate it and/or allow for audience laughter. It may use a shock value to define the joke, and may not be initially noticeable to all viewers if it is a very fast joke. This should not be confused with an iris shot, frequently used in the silent film era, where a black circle closes to end a scene. The term "blackout gag" can also apply to fast paced TV or film comedy, such as Rowan & Martin's Laugh-In, where there may not literally be a blackout, but a quick cut to the next gag.

Anbieter: Dodax
Stand: 14.07.2020
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MEDIA PLANNING - THE IMPACT OF TV ADVERTISEMENT...
79,00 € *
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This book examines research concerned with advertising to children on television. Its purpose is to establish the status of our knowledge about how children respond to advertising on television, how much the research evidence can be taken at face value, and the degree to which research can use fully inform regulation of advertising aimed at young viewers. It comes at a time when concern is growing about the effectiveness of television advertising in light of technological developments in media. Such developments include the rapid growth of television channels that are available via a number of platforms terrestrial, satellite, and cable and that are being further facilitated through the transition of broadcasting from analogue to digital transmission.Digitalization means not only more television channels for viewers to choose from but also greater scope for interactivity. This, in turn, may mean more power to consumers to select what to watch,when to watch, and how to watch.

Anbieter: Dodax
Stand: 14.07.2020
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News for a Mobile-First Consumer
87,95 € *
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The rapid adoption of mobile devices has created a new type of consumer, one who chooses smartphones and tablets over laptops and desktops, TV and radio, print newspapers, magazines, books, and landline phones. This new mobile consumer has not just forced businesses, institutions, governments, and organizations to innovate with mobile solutions, this new mobile consumer has upended the news media landscape, challenging news organizations and journalists to produce news for consumers who have little resemblance to yesterday's newspaper readers, TV news viewers, and online news consumers.Based on two national surveys, News for a Mobile-First Consumer introduces a mobile consumer taxonomy comprised of three types of mobile consumers: mobile-first, mobile specialists, and mobile laggards. The demographics of these mobile consumers as well as their relationship to news and social media are explored in depth. Social media as a competitor to and platform for mobile news are also examined, and special attention is devoted to news apps from the perspective of consumers.News for a Mobile-First Consumer also provides insight about millennials, racial and ethnic minorities, and women, who are at the forefront of the mobile revolution but less engaged with news. To improve mobile journalism and increase news engagement, "Essentials of Mobile Journalism" are proposed.As the first book to explore news and consumers in the mobile sphere, this book is required reading for scholars and professionals as well as undergraduate and graduate students enrolled in journalism, communication, strategic communications, advertising, media and society, marketing, and technology courses.

Anbieter: Dodax
Stand: 14.07.2020
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Media Business Models
36,95 € *
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The business models of traditional media are experiencing a profound crisis. One of the core issues of this crisis is the increasing breakdown of the value chain model - a model based on the numbers of readers, viewers, and users which the mass media can "sell" in exchange for advertising revenue.These formerly stable models of the media value chain are now in perpetual flux, requiring adaptation to the rapid changes in technology and the volatility of user preferences.Can media companies cope with these new circumstances and at the same time fulfill their traditional roles?This volume addresses this question, and others, to explore scenarios, phenomena, and developments which point to new configurations arising from new media business models, innovative ways in which media practitioners engage their audiences, intercontinental media phenomena, user-generated content, and the general disconnect between print and online media paradigms.Contributors point to a way out of the general bewilderment, providing answers to frequently asked questions, and ideas for new guidelines and solutions.

Anbieter: Dodax
Stand: 14.07.2020
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News for a Mobile-First Consumer
49,95 € *
ggf. zzgl. Versand

The rapid adoption of mobile devices has created a new type of consumer, one who chooses smartphones and tablets over laptops and desktops, TV and radio, print newspapers, magazines, books, and landline phones. This new mobile consumer has not just forced businesses, institutions, governments, and organizations to innovate with mobile solutions, this new mobile consumer has upended the news media landscape, challenging news organizations and journalists to produce news for consumers who have little resemblance to yesterday's newspaper readers, TV news viewers, and online news consumers.Based on two national surveys, News for a Mobile-First Consumer introduces a mobile consumer taxonomy comprised of three types of mobile consumers: mobile-first, mobile specialists, and mobile laggards. The demographics of these mobile consumers as well as their relationship to news and social media are explored in depth. Social media as a competitor to and platform for mobile news are also examined, and special attention is devoted to news apps from the perspective of consumers.News for a Mobile-First Consumer also provides insight about millennials, racial and ethnic minorities, and women, who are at the forefront of the mobile revolution but less engaged with news. To improve mobile journalism and increase news engagement, "Essentials of Mobile Journalism" are proposed.As the first book to explore news and consumers in the mobile sphere, this book is required reading for scholars and professionals as well as undergraduate and graduate students enrolled in journalism, communication, strategic communications, advertising, media and society, marketing, and technology courses.

Anbieter: Dodax
Stand: 14.07.2020
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Media Business Models
127,95 € *
ggf. zzgl. Versand

The business models of traditional media are experiencing a profound crisis. One of the core issues of this crisis is the increasing breakdown of the value chain model - a model based on the numbers of readers, viewers, and users which the mass media can "sell" in exchange for advertising revenue.These formerly stable models of the media value chain are now in perpetual flux, requiring adaptation to the rapid changes in technology and the volatility of user preferences.Can media companies cope with these new circumstances and at the same time fulfill their traditional roles?This volume addresses this question, and others, to explore scenarios, phenomena, and developments which point to new configurations arising from new media business models, innovative ways in which media practitioners engage their audiences, intercontinental media phenomena, user-generated content, and the general disconnect between print and online media paradigms.Contributors point to a way out of the general bewilderment, providing answers to frequently asked questions, and ideas for new guidelines and solutions.

Anbieter: Dodax
Stand: 14.07.2020
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Introduction to Video Search Engines
74,89 € *
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The evolution of technology has set the stage for the rapid growth of the video Web: broadband Internet access is ubiquitous, and streaming media protocols, systems, and encoding standards are mature. In addition to Web video delivery, users can easily contribute content captured on low cost camera phones and other consumer products. The media and entertainment industry no longer views these developments as a threat to their established business practices, but as an opportunity to provide services for more viewers in a wider range of consumption contexts. The emergence of IPTV and mobile video services offers unprecedented access to an ever growing number of broadcast channels and provides the flexibility to deliver new, more personalized video services. Highly capable portable media players allow us to take this personalized content with us, and to consume it even in places where the network does not reach. Video search engines enable users to take advantage of these emerging video resources for a wide variety of applications including entertainment, education and communications. However, the task of information extr- tion from video for retrieval applications is challenging, providing opp- tunities for innovation. This book aims to first describe the current state of video search engine technology and second to inform those with the req- site technical skills of the opportunities to contribute to the development of this field. Today's Web search engines have greatly improved the accessibility and therefore the value of the Web.

Anbieter: Dodax
Stand: 14.07.2020
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MTV: The (r)evolution & impact between 1981 - 1994
15,90 CHF *
zzgl. 3,50 CHF Versand

Essay from the year 2011 in the subject Sociology - Media, Art, Music, printed single-sided, grade: 1,3, University of East London (BUSINESS SCHOOL), course: Global Music Production & Distribution, language: English, comment: Assignment: You will provide an account and analysis of a technological development, of your choosing, which had either a positive or a negative effect upon the international music business in the period between 1954 and 1994. , abstract: Music Television, or MTV, a cable television network that allocates most of its broadcasting time to music video clips, has had a great influence on popular culture in general, young people and on the music industry, since its first aired in August 1981. Initially viewed as a promotional channel for the music industry, it rapidly took on a life of its own and was perceived by spectators as an information source on the newest trends in music, fashion and attitude. (Denisoff, 1988) Goodwin (1992) commented that 'the video clips shown on MTV were a visual companion to rock 'n' roll, frequently being vulgar, violent, juvenile and tasteless -which charmed young viewers and insulted parents' (Goodwin, 1992). The network's enormous success attracted studio executives and advertisers attempted to capitalize on it. Soon television series, commercials and films were being produced in the music video style with rapid editing, glossy visuals and a pop music soundtrack. Many great music artists of the 80s made their initial public appearance on MTV, a fact that explains why some critics suggest that MTV was responsible for focusing on appearance and style over talent in the music industry. (MacDonald, 1990)

Anbieter: Orell Fuessli CH
Stand: 14.07.2020
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